Journal de Sciences Po-Paris, Campus de Menton
En septembre dernier, le rappeur belge Roméo Elvis s’est retrouvé au cœur d’un déluge médiatique sur Twitter après qu’il ait été accusé par une jeune femme, d’agression sexuelle et de gestes déplacés. L’embrasement immédiat des réseaux sociaux, devenus presque simulacre d’une cour de justice, reflète une pratique venue des États-Unis et fortement contestée : la cancel culture, aussi dite culture de l’élimination ou de l’annulation.
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Shock, disgust, and chaos seem to be common sentiments following the insurrection on the United States Capitol on January 6, 2021. For some people on online chat rooms, however, the decision to storm a building that symbolizes the democratic institutions of the nation was nothing if not premeditated.
Read MoreFrom the War on Drugs to the War on Terror, the American Left has an impressive record of losing political semiotics to conservatives. In keeping with this tradition, the Left has yet again failed to effectively market efforts to eradicate racism in such a way that is coherent and cogent to a divided American constituency that is suffering from endemic ‘White guilt’ and ‘White fear.’ The former is anxious by the inadequate action of the Left to address racial inequality while the latter is anxious about the extreme action of the Left to create racial equality.
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Many diamonds filled my backpack that day of school. Not real diamonds—although still very much symbolic of wealth, just a different type—instead, edible ones. In a container that was the stereotypically immigrant tupperware. I was 11-years-old.
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For many students, the excitement of being accepted at Sciences Po quickly turned into a self-deprecating humor as the true nature of the school’s administration was revealed. While Sciences Po likens itself to the “Harvard of France,” most students would argue that the Menton administration does not live up to this reputation.
Read MoreL’Unesco, à travers la Convention sur la protection et la promotion de la diversité des expressions culturelles promue en 2005, définit la diversité culturelle comme étant la multiplicité des expressions culturelles des groupes d’une société donnée. Ces expressions culturelles se transmettent de génération en génération, au sein de groupes distincts, mais aussi entre les groupes. Mais est ce que cette définition suffit ? La diversité culturelle en France représente-t-elle seulement les nombreuses formes à travers lesquelles le patrimoine culturel est exprimé, enrichi et transmis et les divers modes de jouissance artistiques ? Quel est le rapport de la France avec cette diversité culturelle ?
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